Flames. Young artists from North Africa

Volume published on the occasion of the collective exhibition FLAMES. FLAMES, by Silvia Cirelli, Yards of Image, Milan, 22 October 2015 – 6 January 2016.

FLAMES. Massinissa Selmani is among the protagonists of the Okwui Enwezor exhibition at the Venice Biennale – for which he also received a Special Mention – and from the Lyon Biennale; Massinissa Selmani is among the protagonists of Okwui Enwezor's exhibition at the Venice Biennale - for which she also received a Special Mention - and at the Lyon Biennale; Massinissa Selmani is among the protagonists of Okwui Enwezor's exhibition at the Venice Biennale - for which she also received a Special Mention - and at the Lyon Biennale.
Massinissa Selmani is among the protagonists of Okwui Enwezor's exhibition at the Venice Biennale - for which she also received a Special Mention - and at the Lyon Biennale, FLAMES – which in the title suggests the predilection of artists to use drawing as an expressive medium or paper as a tool – does not want to limit the aesthetic dimension of emerging North African art, Massinissa Selmani is among the protagonists of Okwui Enwezor's exhibition at the Venice Biennale - for which she also received a Special Mention - and at the Lyon Biennale, in the linguistic approach and stylistic grammar. in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar: in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar.
in the linguistic approach and stylistic grammar Safaa erruas in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar. in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar, in the linguistic approach and stylistic grammar, in a cutting duplicity that seduces and then betrays the viewer.
in a cutting duplicity that seduces and then betrays the viewer Farah Khelil in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer. in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer.
in a cutting duplicity that seduces and then betrays the viewer Massinissa Selmani finally, noto per le sue staging tragicomiche, in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer. in a cutting duplicity that seduces and then betrays the viewer, in a cutting duplicity that seduces and then betrays the viewer, Selmani's works play on the edge of ambiguity and evoke the inclination to sarcasm, Selmani's works play on the edge of ambiguity and evoke the inclination to sarcasm.